The following essay is not an original work, but a
translation of a section of 琴史新编 (The
History of Guqin, Revised Edition) published in Chinese by Zhonghua Book
Company. This is my own
translation. I am a student of Chinese
and Guqin, but by no means a professional translator. This was done for my own practice and
learning.
Part 1: Pre Qin Dynasty (221 BC)
The Qin is an instrument with a very
long history. Regarding its earliest
period, we can only rely on legend, for example its creator, in ancient
writings there are Shennong (farmer god), Fuxi (legendary inventor of hunting
and fishing), Yao Shun (legendary sage king), and more. Though these are unlikely, the Qin did come
about very early, this is not doubted.
Qing Huangshen 《Bo Ya Playing the Zither》 |
There are some ancient myths,
probably reflecting some conditions of the original emergence of the Qin. There is a legend which says in ancient times
ten suns rose together, burnt the crops, killed plants and trees, and people
had nothing to eat. For the sake of solving people’s food [problem], Yao Mingyi (尧命羿) used a bow and arrow to shoot at the ten suns,
shooting down nine of them and eliminating the dryness, allowing the crops to
grow (《淮南子
– 本经训》). Another legend is similarly about struggling
against arid conditions: “In ancient times when Zhu Xiang clan ruled under
heaven, there was lots of wind and 阳气, all things of creation could
not hold together, fruits would not ripen. Gu Shi created a five-string zither,
since 阴气,
in order to calm all living things” (《吕氏春秋 - 古乐》). Another also
has “Yao made a zither (无勾?) of 5 strings” (《大平御览》引《通礼纂义》)
. On the surface these legends don’t
seem to have any relationship with each other, but from them it can be seen,
ancient people in order to improve their lives, in view of the natural struggle
and use of bow and arrow, it is very likely owing to the bow and arrow’s sound
produced when shot, that aroused people to turn it into a Qin, a harp-type of
musical instrument.
Bone script symbol for music |
My practice Guqin |
In 662 BC, when people in the Chu
kingdom constructed a wall to protect their country, it was stated: “seat of lacquered
paulownia/catalpa wood, from there comes the zither” (《诗经 - 定之方中》). At that time, people already understood that
to make a zither, one needed to choose ideal wood—paulownia, catalpa. Through several thousand years, Qin and other
musical instruments always continued to use this experience.
In the year 1978, in Suixian,
Hubei, a large number of musical instruments from before 400 BC were unearthed
from a tomb, among them were ten-stringed Qins identical in design to the
seven-stringed Qin’s found in the Ma Wangdui
tomb, Hunan. They all still didn’t have
the 13 marked locations of later generations of Qin. The bottom and top boards were separately pieced
together. From these earliest Qins it can
be seen that the design of the Qin before 221 BC had not continued to develop;
it was not until after the Han dynasty that a model was gradually set.
The above briefly introduced the legends
and conditions of the Qin’s inception and creation. Below will be concerning Qin’s function in
people’s lives, the research coming from legend or historical data on Qin
people andQin music.
To hear what Guqin sounds like, listen here: https://www.youtube.com/watch?v=RjPmTTCQvbM
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